<\/b>Compota de Manana<\/b> is today one of the most stimulating and unique proposals in contemporary Latin music. More than a band, it is an artistic statement: overflowing energy, creative freedom and an aesthetic vision that integrates music, image and attitude. They themselves define it as follows: \u201can artistic movement where creativity, aesthetics and audiovisual art tie together a fun and transgressive proposal like few others.\u201d<\/i><\/p>\n
With their debut La Alternatimba<\/i> (2018), they burst into the spotlight with an unmistakable personality, captivating audiences and critics from the very beginning. In a few years, Compota de Manana<\/strong> consolidated an international career that took them touring stages in Spain and Europe, passing through festivals such as Couleur Caf\u00e9, Toros y Salsa de Dax, FIC d’Orange or Say It Loud, and filling reference venues such as Caf\u00e9 Berl\u00edn, Sala Villanos or Sala Apolo. Media such as Le Monde<\/i> or El Peri\u00f3dico<\/i> confirmed what was already obvious: a band had been born with the desire to redefine the language of current Latin music.<\/p>\n After this initial impetus, the project took a two-year break coinciding with the incorporation of Erik Castillo into Nathy Peluso’s band, an experience that took them to iconic stages around the world and that further enriched Compota de Manana<\/strong>‘s artistic vision. Far from stopping, creativity continued to flow with singles and collaborations with artists such as Original El\u00edas, Alexander Abreu or Big Lois, accompanied by music videos of great visual identity. In 2023, two Live Videos<\/i> captured the essence of the group without filters: direct, organic and magnetic music.<\/p>\n The years 2024 and 2025 culminated with their new album, Cuesti\u00f3n de Tiempo<\/i> (March 12), an ambitious and sophisticated work with 16 tracks and stellar collaborations: Mayito Rivera, Alexander Abreu, El Ni\u00f1o y la Verdad or Telmary D\u00edaz. The sound production is up to par: mixed in Havana by Orestes \u00c1guila (Latin Grammy) and Javier Raez (Latin Grammy nominee), and mastered in Miami by Germ\u00e1n Landaeta.<\/p>\n Why you shouldn’t miss them<\/b>: for their unstoppable energy and ability to transform Latin music into a lively, festive and original experience that leaves no one indifferent.<\/p>\n Albert Costa Vendrell<\/strong> trombone \u00b7\u00a0Coe L\u00f3pez Xim\u00e9nez<\/strong> timbales \u00b7\u00a0Enrique Terr\u00f3n Duque<\/strong> congas \u00b7\u00a0Erik D\u00eddac Castillo Ibars<\/strong> lead vocals \u00b7\u00a0Jorge Manuel Masaedo Goiburu<\/strong> voice \u00b7 Jos\u00e9 Alejandro Fong Perera<\/strong> bass \u00b7 Mar\u00e7al Mu\u00f1oz Borr\u00e0s<\/strong> trumpet \u00b7 Pablo Mart\u00edn \u00c1lvarez<\/strong> trombone \u00b7 Roger Herrero and P\u00e9rez<\/strong> piano \u00b7 Kevin D\u00edaz Graveran<\/strong> keyboards \u00b7 Adri\u00e1n Machado Robles<\/strong> vocals \u00b7 Reyner Ponce Duarte<\/strong> drums \u00b7\u00a0Ahylin Mariam Bruno<\/strong> voice \u00b7 Ahyvin Mariem Bruno<\/strong> voice \u00b7 Ra\u00fcl Gallego Ricart<\/strong> trumpet<\/p>\n","protected":false},"excerpt":{"rendered":" Compota de Manana \u2014 Latin avant-garde with a global vocation Compota de Manana is today one of the most stimulating and unique proposals in contemporary Latin music. 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