{"id":134158,"date":"2026-06-10T11:17:59","date_gmt":"2026-06-10T09:17:59","guid":{"rendered":"https:\/\/jamboreejazz.com\/evento\/shortcuts-courvoisier-rothenberg-waits\/"},"modified":"2026-07-31T13:01:41","modified_gmt":"2026-07-31T11:01:41","slug":"shortcuts-courvoisier-rothenberg-waits","status":"publish","type":"tribe_events","link":"https:\/\/jamboreejazz.com\/en\/event\/shortcuts-courvoisier-rothenberg-waits\/","title":{"rendered":"Shortcuts &#8211; Courvoisier \/ Rothenberg \/ Waits"},"content":{"rendered":"<p><strong>Sylvie Courvoisier<\/strong> piano \u00b7 <strong>Ned Rothenberg<\/strong> clarinet, alt saxo &amp; shakuhachi \u00b7 <strong>Nasheet Waits<\/strong> drums<\/p>\n<div class=\"\" data-turn-id-container=\"request-WEB:d3594974-938b-4525-82a2-9f703e9313f0-2\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:d3594974-938b-4525-82a2-9f703e9313f0-2\" data-turn-id-container=\"request-WEB:d3594974-938b-4525-82a2-9f703e9313f0-2\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"false\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"dd3d60b0-3785-419d-bb1a-d30b4c85c998\" data-message-model-slug=\"gpt-5-5\" data-turn-start-message=\"true\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\">\n<p data-start=\"0\" data-end=\"420\"><strong data-start=\"0\" data-end=\"18\">Ned Rothenberg<\/strong> (saxophone, clarinet), <strong data-start=\"42\" data-end=\"64\">Sylvie Courvoisier<\/strong> (piano), and <strong data-start=\"78\" data-end=\"95\">Nasheet Waits<\/strong> (drums) \u2014 three of New York City\u2019s leading improvisers over the past three decades \u2014 have come together to form <strong data-start=\"208\" data-end=\"222\">Short Cuts<\/strong>, a collectively led trio shaped by the progressive jazz tradition, from <strong>Ornette Coleman<\/strong> to <strong>John Zorn<\/strong>, while also drawing inspiration from modern chamber music and cross-cultural musical approaches.<\/p>\n<p data-start=\"422\" data-end=\"729\">With <strong>Short Cuts<\/strong>, abstraction is balanced by a grounded, earthy sensibility in the classic New York tradition. Experimental textures meet rhythmic depth, harmonic sophistication fuels free-flowing lyricism, and the music \u2014 entirely improvised \u2014 grooves and sings while continually steering clear of clich\u00e9.<\/p>\n<p data-start=\"731\" data-end=\"1153\">\u201c<em>It feels so natural to improvise with Ned and Nasheet<\/em>\u201d says <strong>Courvoisier<\/strong>. \u201c<em>They are both beautiful players, and they both love grooves, even in a freely improvised setting. Winds, piano, and drums also make for a relatively unusual trio. Without a bass player, Ned and I have more room to explore the lower register, while Nasheet gains greater freedom with his bass drum. And these guys love taking risks, just as I do.<\/em>\u201d<\/p>\n<p data-start=\"1155\" data-end=\"1680\">Born and raised in Switzerland and based in New York for many years, <strong>Courvoisier<\/strong> leads several ensembles, including her trio with bassist <strong>Drew Gress<\/strong> and drummer<strong> Kenny Wollesen<\/strong>, as well as <strong data-start=\"1343\" data-end=\"1355\">Chimaera<\/strong>, an electric and atmospheric project featuring guitarist <strong>Christian Fennesz<\/strong>. She also leads the new quartet <strong data-start=\"1463\" data-end=\"1475\">Almathea<\/strong> with vibraphonist <strong>Patricia Brennan<\/strong> and maintains a long-standing duo with guitarist <strong>Mary Halvorson<\/strong>. Her adventurous duo with trumpeter <strong>Wadada Leo Smith<\/strong> is set to release its debut recording later in 2025.<\/p>\n<p data-start=\"1682\" data-end=\"1853\">NPR critic <strong>Kevin Whitehead<\/strong> memorably described her approach: \u201c<em>Some pianists approach the instrument like it\u2019s a cathedral. Sylvie Courvoisier treats it like a playground.<\/em>\u201d<\/p>\n<p data-start=\"1855\" data-end=\"2235\"><strong>Rothenberg<\/strong> \u2014 a virtuoso on clarinet, alto saxophone, and the Japanese shakuhachi flute \u2014 has been acclaimed as a sonic innovator by <em data-start=\"1987\" data-end=\"1997\">DownBeat<\/em>, <em data-start=\"1999\" data-end=\"2012\">L.A. Weekly<\/em>, and <em data-start=\"2018\" data-end=\"2036\">The Boston Globe<\/em>. <em data-start=\"2038\" data-end=\"2058\">The New York Times<\/em> has praised the \u201c<em>near religious focus<\/em>\u201d of his solo performances, and he has collaborated with artists including <strong>Evan Parker, John Zorn, Sainkho Namchylak<\/strong>, and <strong>Katsuya Yokoyama<\/strong>.<\/p>\n<p data-start=\"2237\" data-end=\"2449\">Writing in the <em data-start=\"2252\" data-end=\"2274\">Neue Z\u00fcrcher Zeitung<\/em>, critic <strong>Manfred Pabst<\/strong> observed: \u201c<em>Other kinds of music might entertain you, cheer you up, or get your blood pumping, but his clarifies the mind and throws the soul wide open.<\/em>\u201d<\/p>\n<p data-start=\"2451\" data-end=\"2908\">For many years, <strong>Waits<\/strong> has been one of the most sought-after and influential drummers on the New York scene. Renowned for his rhythmic drive and imaginative subtlety, he moves effortlessly between contemporary jazz and the avant-garde. His collaborators include <strong>Jason Moran<\/strong>,<strong> Dave Holland<\/strong>, and <strong>Christian McBride<\/strong>, among many others, and he is also a member of the long-running cooperative trio <strong data-start=\"2842\" data-end=\"2853\">Tarbaby<\/strong>, alongside pianist <strong>Orrin Evans<\/strong> and bassist <strong>Eric Revis<\/strong>.<\/p>\n<p data-start=\"2910\" data-end=\"3146\"><strong>Jason Moran<\/strong> has often highlighted <strong>Waits<\/strong>\u2019s fire, creativity, and ability to elevate any musical situation. <em data-start=\"3016\" data-end=\"3026\">Jazzwise<\/em> magazine has similarly praised the breadth of his creative range, describing it as extending \u201c<em>from whispers to frenzy.<\/em>\u201d<\/p>\n<p data-start=\"3148\" data-end=\"3502\">So far, <strong data-start=\"3156\" data-end=\"3170\">Short Cuts<\/strong> has appeared at venues and events ranging from Austria\u2019s Saalfelden Festival to the University of Mexico City, and has also been featured on Mexican national television. The trio recorded its debut album in the spring of 2025, with tours across South America following in November 2025 and a European tour planned for October 2026.<\/p>\n<p data-start=\"3504\" data-end=\"4059\">Describing the group\u2019s unique dynamic, <strong>Rothenberg<\/strong> explains: \u201c<em>Some bands rely on a unified sound, but this band works through the interaction of three distinct sonic worlds, both stylistically and sonically. Sylvie brings a classical sensibility, while I bring more of a world-music perspective. That gives Nasheet the opportunity to explore a different vocabulary than he might in a more typical free-jazz trio. And for the audience, it\u2019s a bit like listening in on what we hope is an engaging and intimate conversation between three sympathetic artists.<\/em>\u201d \u2014 <em data-start=\"4063\" data-end=\"4082\" data-is-last-node=\"\">Bradley Bambarger<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sylvie Courvoisier piano \u00b7 Ned Rothenberg clarinet, alt saxo &amp; shakuhachi \u00b7 Nasheet Waits drums Ned Rothenberg (saxophone, clarinet), Sylvie Courvoisier (piano), and Nasheet Waits (drums) \u2014 three of New [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":134159,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[51],"estado_evento":[281],"tribe_events_cat":[52],"class_list":["post-134158","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-jazz","estado_evento-destacat","tribe_events_cat-concert","cat_concert"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/tribe_events\/134158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/users\/4"}],"version-history":[{"count":3,"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/tribe_events\/134158\/revisions"}],"predecessor-version":[{"id":134166,"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/tribe_events\/134158\/revisions\/134166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/media\/134159"}],"wp:attachment":[{"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/media?parent=134158"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/tags?post=134158"},{"taxonomy":"estado_evento","embeddable":true,"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/estado_evento?post=134158"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/jamboreejazz.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=134158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}